04-18-2024 (Public Arts Advisory) Agenda Packet
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Wylie Public Arts Advisory Board Regular Meeting
April 18, 2024 – 6:00 PM
Council Chambers - 300 Country Club Road, Building #100, Wylie, Texas 75098
CALL TO ORDER
COMMENTS ON NON-AGENDA ITEMS
Any member of the public may address Board regarding an item that is not listed on the Agenda. Members of the public must
fill out a form prior to the meeting in order to speak. Board requests that comments be limited to three minutes for an indiv idual,
six minutes for a group. In addition, Board is not allowed to converse, deliberate or take action on any matter presented during
citizen participation.
DISCUSSION ITEMS
DS1. Discussion regrding the 2024-2025 Phase 3 Walking Trails Art
DS2. Discussion regarding Walking "Trails, Phase 2 by Yoshi Wright
DS3. Discussion regarding the 2024 Bluegrass on Ballard
DS4. Discussion regarding the Promotional materials for events
REGULAR AGENDA
1. Consider and act upon, the Public Arts Advisory Board Minutes of 3-21-2024
ADJOURNMENT
CERTIFICATION
I certify that this Notice of Meeting was posted on April 12, 2024 at 5:00 p.m. on the outside bulletin board at Wylie
City Hall, 300 Country Club Road, Building 100, Wylie, Texas, a place convenient and readily accessible to the
public at all times.
___________________________ ___________________________
Stephanie Storm, City Secretary Date Notice Removed
The Wylie Municipal Complex is wheelchair accessible. Sign interpretation or other special assistance for disabled
attendees must be requested 48 hours in advance by contacting the City Secretary’s Office at 972.516.6020. Hearing
impaired devices are available from the City Secretary prior to each meeting.
If during the course of the meeting covered by this notice, the Board should determine that a closed or executive
meeting or session of the Board or a consultation with the attorney for the City should be held or is required, then
such closed or executive meeting or session or consultation with attorney as authorized by the Texas Open Meetings
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Act, Texas Government Code § 551.001 et. seq., will be held by the Board at the date, hour and place given in this
notice as the Board may conveniently meet in such closed or executive meeting or session or consult with the
attorney for the City concerning any and all subjects and for any and all purposes permitted by the Act, including,
but not limited to, the following sanctions and purposes:
Texas Government Code Section:
§ 551.071 – Private consultation with an attorney for the City.
§ 551.073 – Discussing prospective gift or donation to the City.
§ 551.076 – Discussing deployment of security personnel or devices or security audit.
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S O N N Y B E H A N
MULTIDISCIPLINARY ARTIST
MURALS | PAINTING | SCULPTURE 3
04/18/2024 Item DS1.
B I O G R A P H Y
S o n n y B e h a n , a l s o k n o w n a s S o n n y
S u n d a n c e r , i s a n a c c l a i m e d a r t i s t
r e n o w n e d f o r h i s m a g n i f i c e n t l a r g e -
s c a l e w i l d l i f e m u r a l s a n d i n t r i c a t e l y
d e t a i l e d o i l p a i n t i n g s . H i s a r t , w h i c h
s e a m l e s s l y b l e n d s r e a l i s m w i t h
a b s t r a c t i o n , c a n b e f o u n d i n g a l l e r i e s
a n d s t r e e t s w o r l d w i d e , f r o m S o u t h
A f r i c a t o N e w Y o r k . H i s b o l d u s e o f
c o l o r a n d d y n a m i c c o m p o s i t i o n s
c a p t u r e t h e m o v e m e n t o f t h e a n i m a l s
h e b r i n g s t o l i f e .
B o r n i n t h e U K , S o n n y w a s r a i s e d i n
S o u t h A f r i c a f r o m t h e a g e o f t e n , a
t i m e t h a t s p a r k e d h i s p a s s i o n f o r
w i l d l i f e . H i s g l o b a l m u r a l t o u r a n d s o l o
e x h i b i t i o n i n N e w Y o r k i n 2 0 1 8 m a r k e d
t h e b e g i n n i n g o f a m e t e o r i c r i s e ,
l e a d i n g t o a n i n c r e a s i n g d e m a n d f o r
h i s a r t .
N o w b a s e d o u t o f M i a m i , S o n n y h a s
e x p a n d e d h i s a r t i s t i c r e p e r t o i r e t o
i n c l u d e i n t r i c a t e b r o n z e s c u l p t u r e s ,
i n c l u d i n g a l a r g e -s c a l e p u b l i c
s c u l p t u r e a t t h e U n i t e d N a t i o n s H Q i n
N Y C .
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04/18/2024 Item DS1.
S o n n y ’s p a s s i o n f o r u s i n g h i s c r e a t i v i t y t o h i g h l i g h t
t h e n e e d t o p r o t e c t a n d p r e s e r v e t h e n a t u r a l w o r l d
h a s e a r n e d h i m t h e r e p u t a t i o n o f b e i n g a n a r t i s t
w h o i s d e e p l y e n g a g e d a n d d r i v e n t o m a k e a n
i m p a c t . T o t h i s e n d , h e h a s c o l l a b o r a t e d w i t h
p r o m i n e n t n o n -p r o f i t s a n d o r g a n i z a t i o n s , s u c h a s
W o r l d W i l d l i f e F u n d , U n i t e d N a t i o n s , U N I C E F , I F A W ,
G l o b a l C i t i z e n a n d D i s c o v e r y I n c ., t o c r e a t e p u b l i c
a r t i n s t a l l a t i o n s a n d c a m p a i g n s t o r a i s e f u n d s a n d
a w a r e n e s s f o r c o n s e r v a t i o n e f f o r t s .
PAINTING A BRIGHTER FUTURE FOR ENDANGERED WILDLIFE
C O N S E R V A T I O N
P A R T N E R S H I P S
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C A R E E R H I G H L I G H T S
SPEAKER & ADVOCATE
AT UNITED NATIONS
Sonny has twice had the
honour of speaking at the
world's most prestigious
international organization; the
United Nations. In 2018 he
participated in their Earth Day
panel to highlight the powerful
ways young people are using
creativity and innovation to
protect our environment. In
2021 he was involved in a
discussion around big cats as
part of the UN General
Assembly SDG Media Zone.
NYC, 2018 & 2021
SOLO EXHIBITION
IN MANHATTAN
Sonny’s first and highly-
anticipated solo exhibition of
his canvas work, along with a
series of hand-painted skull
sculptures. The sell-out show
explored the precarious
balancing act that exists
between mankind and the
animal kingdom. The exhibition
had a fantastic turnout with
people queuing arond the
block to attend the opening
eveming.
NYC, 2018
MONUMENT AT
UNITED NATIONS
Together with Discovery,
Sonny unveiled a large-scale
bronze tiger statue at the
United Nations headquarters
in New York to celebrate
tigers and raise awareness
for endangered species
ahead of the 76th session of
the UN General Assembly.
The sculpture, also draws
attention to the UN’s Decade
on Ecosystem Restoration.
NYC, 2021 NYC, 2021
CLOSING THE STOCK
EXCHANGE IN NYC
Sonny was invited to the
Nasdaq MarketSite in Times
Square to ring the closing bell in
honor of the unveiling of his
tiger statue at the United
Nations, and to celebrate tiger
conservation successes around
the globe, including efforts by
Discovery's Project CAT. His
tiger statue was also
showcased on the seven-
stories-tall Nasdaq tower
screened onto its 10,000 square
foot billboard
GLOBAL MURAL
TOUR FOR WILDLIFE
In 2017 Sonny launched his To
The Bone project with a
global mural tour that brought
some of the world’s most
iconic and endangered
animals into urban
environments around the
world. He painted ten large-
scale murals of endangered
species in seven countries
from New York to Vladivostok,
Johannesburg to London.
GLOBAL, 2017
10,000 SQFT MURAL
FOR THE UN SDG'S
Sonny was commissioned to
paint a 10,000 sq ft mural
(his largest to date) as part
of the Houston Big Art
Bigger Change project in
partnership with Downtown
Houston. The project aimed
to amplify awareness on
social and environmental
issues inspired by the United
Nations Sustainable
Development Goals.
HOUSTON, 2022
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F O X N E W S
T I M E S S Q U A R E , N Y C
F O R B E S
C L O S I N G T H E M A R K E T SNASDAQ N Y C
S U N D A Y T I M E S B U Z Z F E E D
I N T H E N E W S
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In 2021 Sonny unveiled a large-scale (10ft) public sculpture at the United Nations
Headquarters in NYC during the UN General Assembly in partnership with
Discovery Inc. to bring attention to the plight of wild tigers.
'Abhaya'
Bronze
L - 114" x H 61" x D 38"
E X A M P L E S O F
S C U L P T U R A L W O R K
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U N I T E D N A T I O N S H QNEW Y O R K , U S A
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On September 20 2021, Sonny Behan together with
Discovery, unveiled a large-scale bronze tiger statue
at the United Nations (UN) headquarters in New York
to celebrate tigers and raise awareness for
endangered species ahead of the 76th session of the
UN General Assembly. The sculpture, placed at the
entrance of the UN Plaza next to the renowned ‘Non-
Violence’ sculpture, also draws attention to the UN’s
Decade on Ecosystem Restoration, a call for the
protection and revival of ecosystems around the
world for the benefit of people and nature.
This public artwork was created in collaboration with
Discovery’s Project C.A.T. campaign, launched in
partnership with World Wildlife Fund (WWF), which
supports nearly six million acres of tiger habitat
across India, Bhutan and Russia. The ambitious
project took over a year to bring to life, from
conceptualisation to installation and was publicly
unveiled at the iconic bell ringing ceremony to close
the markets at the Nasdaq Market Site in Times
Square.
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'Siku'
Bronze
H - 23.2” x W - 11.5” x D - 11”12
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'Terra'
Bronze
H - 6.6” x W - 14.1” x D - 8.5”
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'Savanna'
Bronze
H - 16” x W - 19” x D - 9”
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'Taiga'
Bronze
H - 17” x W - 27.5” x D - 10”
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'Tundra'
Bronze
H - 9.5” x W - 14” x D - 7”
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C O N C E P T U A L I D E A S F O R W Y L I E S C U L P T U R E S
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Interactive Sculptures: The concept involves two sculptures that
interact with each other in a meaningful way.
Caddo Tribesman in Action: The primary focus of one sculpture is a
life-sized Caddo tribesman in the midst of shooting his bow. The
sculpture aims to capture the essence of strength, artistry,
innovation, focus, and grace inherent in the Caddo culture.
Elements of Motion: Both sculptures incorporate elements that
convey a sense of movement, including details such as flowing hair,
billowing clothing, and scattered dirt.
Fragmented Hollow Design: A distinctive feature of both sculptures
is their hollow, fragmented design, with approximately 50% to 60%
of the structure intentionally missing. Despite this, the complete
forms are still recognizable.
Traditional Exterior Patina: The exterior of both sculptures is
adorned with traditional patina, adding depth and character to their
appearance.
Internal Color Sand Patterns: On the inside, both sculptures are
painted with vibrant color patterns that represent the Caddo tribe,
adding cultural significance to the artworks as well as a contemporary
flair.
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04/18/2024 Item DS1.
Dynamic Bison Sculpture: The second sculpture portrays
a life-sized bison in action, running through a cloud of
dust. This depiction emphasizes the bison's powerful and
graceful attributes, creating a sense of speed and vigor.
Frozen in Time: These sculptures are designed to freeze
a moment in time, capturing a memory as it forms,
encapsulating the essence of a particular moment in
history.
Appearance and Disappearance: The sculptures create a
captivating illusion of both appearing and disappearing,
generating a sense of constant movement and change.
Spatial Interaction: Although set far apart from each
other, the sculptures are strategically placed to interact
visually from a distance, forming a harmonious
composition and allowing viewers an educational
experience.
Illusory Movement: The combination of hollow
elements, fragmented design, and internal colors creates
an optical effect where the sculptures appear to move
and change as viewers walk around them, especially as
lighting conditions shift.19
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Hollowness for Budget Constraints: Careful consideration must be given to the degree of hollowness
to ensure that the sculptures remain life-sized while staying within the budgetary constraints.
Low Ground Mounting for Realism and Cost Efficiency: Suggesting low-to-the-ground mounting not
only enhances the sculptures' realism but also reduces the costs associated with base plinths and
installation.
Prioritizing Safety: It is crucial to design the sculptures with safety in mind, avoiding sharp edges or
protruding pieces that could pose a risk to viewers or maintenance personnel.
Dual Budgets for Cost Reduction: Combining the budgets for each sculpture could potentially lead to
reduced costs in fabrication, shipping, installation, engineering, and other associated expenses. This
approach may provide more flexibility and efficiency in managing the project without sacrificing in
scale and impact.
F E A S I B I L I T Y C O N S I D E R A T I O N S
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www.sonnyonline.com
tess@sonnyonline.com
@sonnysundancer
@sonnyartist
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7'0"
3'0"
12"
12' DIAM CONCRETE PAD
12" DIAM
4' DIAM
10' DIAM
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RADIUSED TOP EDGE
23' DIAM MOUND BASE
* 6" THICK CONCRETE, USE QUICKCRETE CRACK RESISTANT CONCRETE MIX
CONCRETE, SCULPTURE, AND MOUND TOP VIEW
SOIL STABILIZATION DETAIL
NDS EZ ROLL GRASS PAVERS
ALLOW CONCRETE TO POUR INTO PAVERS
ATTACH WITH 16 GAGE SS WIRE
5.05'
CONCRETE, SCULPTURE, AND MOUND SIDE VIEW
EDGE OF CONCRETE
CORE OF STABILIZED SOIL, 85% SOIL, 15% CEMENT
SOIL TO CREATE MOUND TO BE MOIST AND COMPACTED WITH VIBRATOR IN 8" LIFTS
STABILIZED SOIL MAY BE EASILY FRACTURED AS NEEDED FOR SHAPE
STABILIZED SOIL MUST DIRECTLY SUPPORT BASE OF CONCRETE PAD
59832
GERARD J. DUHON
STA T E OF TEXA
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REGIST E R E D
P
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OFESSIONALEN G I NEER
INSTALL MOIST, 6' DIAMETER CONNECTIONS WITH SS WIRE EVERY 10"
1st LEVEL
3rd LEVEL
2nd LEVEL
7'6'
5'
1st LEVEL 2nd LEVEL
3rd LEVEL
DRAPING PATTERN
CUT 7' Lg SEGMENTS
PAVER LAYOUTS
HARDWARE
ORDER 3) 152' ROLLS FOR 2 MOUNDS
*
*
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04/18/2024 Item DS2.
FACE TRUMPET
GRANITE BLOCK
12"X30"
24"X40"
GRANITE BLOCK
EFFIGY
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5.05'
SCULPTURE AND MOUND SIDE VIEW
RADIUSED TOP EDGE
23' DIAM MOUND BASE
SCULPTURE AND MOUND TOP VIEW
SOIL STABILIZATION DETAIL
NDS EZ ROLL GRASS PAVERS
ATTACH WITH 16 GAGE SS WIRE
SOIL TO CREATE MOUND TO BE MOIST AND COMPACTED WITH VIBRATOR IN 8" LIFTS
INSTALL MOIST, 6' DIAMETER
STABILIZED SOIL MAY BE EASILY FRACTURED AS NEEDED FOR SHAPE
STABILIZED SOIL MUST DIRECTLY SUPPORT SCULPTURE
59832
GERARD J. DUHON
STA T E OF TEXA
S
REGIST E R E D
P
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OFESSIONALEN G I NEER
SCULPTURE DETAILS, 2X SCALE
7'6'
5'
1st LEVEL 2nd LEVEL
3rd LEVEL
1st LEVEL
2nd LEVEL
3rd LEVEL
DRAPING PATTERN
CUT 7' Lg SEGMENTS
ORDER 3) 152' ROLLS FOR 2 MOUNDS
PAVER LAYOUTS
CORE OF STABILIZED SOIL, 85% SOIL, 15% CEMENT
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04/18/2024 Item DS2.
Minutes March 21, 2024
Public Arts Advisory Board
Page 1
Public Arts Advisory Board
Minutes
Regular Meeting
March 21, 2024 – 6:00 p.m.
Wylie Municipal Complex – Council Chambers
300 Country Club Road, Bldg. 100
Wylie, TX 75098
CALL TO ORDER
Announce the presence of a Quorum.
The meeting was called to order by Chair Esther Bellah at 6:07 pm. Members present included:. Board
members Cassie Dyson, Steve Shank, and Anita Jones. Joseph Murdock, Gloria Suarez, and John
Treadwell were absent.
PAAB Coordinator Carole Ehrlich was also in attendance.
CITIZENS COMMENTS ON NON-AGENDA ITEMS
Residents may address the Board regarding an item that is not listed on the Agenda. Residents must fill out a non-
agenda form prior to the meeting in order to speak. The Board requests that comments be limited to three (3) minutes.
In addition, the Board is not allowed to converse, deliberate, or take action on any matter presented during citizen
participation.
No citizens were present to address the board.
DISCUSSION ITEMS
All matters listed under the Consent Agenda are considered to be routine by the Board and will be enacted by one
motion. There will not be separate discussion of these items. If discussion is desired, that item will be removed
from the Consent Agenda and will be considered separately.
A. Discussion regarding the 2024/2025 Walking Reails, Phase 3 Projects
(C. Ehrlich, Public Arts Advisory Board Coordinator)
Staff/Board Comments
PAC Ehrlich reported that she had presented a proposal by Sonny Behan to board members preset at the
February meeting. Some members were absent and she wanted to get feedback from them for a selective
process for the 2024-25 Walking Trails, Phase 3 proposals by Sonny Behan (a semi-finalist in the 2023-24
Call for Artists).
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04/18/2024 Item 1.
Minutes March 21, 2024
Public Arts Advisory Board
Page 2
Board members had a few questions regarding the backside of the sculptures, weight to withstand high
winds, and any sharp edges that could injure someone. Ehrlich reported that the questions had been sent to
artist Behan and she was waiting for a reply.
B. Discussion and update regarding the progress of the two 2024 art pieces by
Yoshi Wright (C Ehrlich, Public Arts Advisory Board Coordinator)
Board Discussion
PAC Ehrlich reported that artist Wright has submitted the Texas certified engineer plans to the City
Engineering Department and was waiting on an approval from staff. (Sacred Fire and Ancestor).
C. Discussion regarding the materials for a booth set up for the Wylie events.
(C Ehrlich, Public Arts Advisory Board Coordinator)
Board Discussion
PAC Ehrlich reported that Public Information Officer Kelly had commented that the proposed flags and
table cover be with the exact logo of the City. Board member Shank asked if the logo could be in white to
offset some of the other colors used in the items. PAC Ehrlich stated that she would find out and report
back to the board.
D. Discussion regarding the 2024 Bluegrass on Ballard. (C Ehrlich, Public Arts
Advisory Board Coordinator)
Board Discussion
PAC Ehrlich reported that 58 applications had been approved and paid. She reported an additional 8 food
vendors approved. She stated that she expected full vendor capacity by mid-June.
REGULAR AGENDA
1. Consider and act upon, the Public Art Advisory Board minutes of March 21, 2024
Board Action
A motion was made by board member Shank, seconded by board member Jones to approve
the minutes of March 21, 2024 as presented. A vote was taken and the motion passed 4-0 with
board members Treadwell, Suarez and Murdock absent.
ADJOURNMENT
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04/18/2024 Item 1.
Minutes March 21, 2024
Public Arts Advisory Board
Page 3
Board Action
A motion was made by board member Jones, seconded by board member Shank to adjourn the
meeting at 6:27 pm. A vote was taken and the motion passed 4-0 with board members Treadwell,
Suarez and Murdock absent.
______________________________
Esther Bellah, Chair
ATTEST:
______________________________
Carole Ehrlich, Secretary
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04/18/2024 Item 1.
White-Tailed Deer: Throughout most of Caddo history, the favorite game animal
hunted by Caddo men was the white-tailed deer. Deer provided most of the meat as
well as hides, antlers, sinew, and bones for tools and clothing. Deer also figured
prominently in Caddo dance and symbolism.
• White Patina: The bronze sculpture will feature a white patina. The white color of the
deer in the sculpture symbolizes purity, or spirituality. It represents the sacredness of
the animal in Native American culture, highlighting the reverence for nature and the
interconnectedness of all living beings. Additionally, white can symbolize peace or a
harmonious relationship between the Caddo people and nature, even in the context of
hunting. **Note: If preferred we can opt for a more traditional bronze patina.
Golden Arrows: The golden arrows represent the skill and precision of the Caddo
a 9, hunters and their excellent craftsmanship and toolmaking, celebrating the ancestral
traditions and heritage of the Caddo people. Additionally, the gold again symbolizes
the spiritual or cultural value placed on the hunt and the relationship between humans
k and nature.
ff = ! Colorful Base: The colorful sculpture base symbolizes the diversity and richness of the
t natural world, the vibrancy and vitality of the ecosystem. It also brings a contemporary
edge to the sculpure and brightens up the natural landscape.
Appearance and Disappearance: The sculpture creates a captivating illusion of both
appearing and disappearing, generating a sense of constant movement and change. It
also speaks to remembrance and honoring ancient knowledge and wisdom so that it is
not lost.
Hi Carole,
As promised here is our feedback in response to the queries raised. In particular we've deeply considered
the note on the hunting of Bison on horseback and on further research found that although bison hunting
on horseback did become more frequent in the late 17th century, bison hunting was not a core part of
Caddo culture and bison do not figure prominently in Caddo mythology. For this reason (as well as budget
limitations with such a large animal) we've decided to go in a different direction and rather focus on a
life-sized bronze white-tailed deer as they were the favored prey for Caddo hunters and the main source
of meat throughout Caddo history.
Please see attached the new design render and symbolism. With this new direction in mind, we believe
that this deer sculpture with the Caddo arrows could work well as a stand-alone piece (freeing up the
additional sculpture for another call for artists). However, if you prefer the concept of having the deer
and a Caddo hunter, we could adjust the design of the hunter to align with this new direction and create
the two separate sculptures to be installed apart as in the original proposal.
What would the approximate weight of the sculptures be? A maquette needs to be done first to
accurately determine sizing and weight as there are many factors that will affect the final specs. As a very
rough estimate, 200-300 lbs.
The native americans started hunting bison once they were on horseback. Is there a way to place the
native americon on horseback and what would the additional cost be? Noted, feedback above and new
design
What would the sculptures look like from the back? New designs should provide a better understanding
Is the bronze and patina 40% or 60%? Unsure what you mean here?
The sculptures are amazing and the board is very excited to hear back from you all. Timeline would be
scheduled for installation in late 2025 if that works. Yes that timeline would work.
Looking forward to your thoughts on the above and the new creative direction.
If there are any additional queries, please send them through so we can address them.
Have a wonderful weekend!
All my best,
Tess
From: Carole Ehrlich <carole.ehrlich@wvlietexas.gov>
Date: Thursday, 11 April 2024 at 16:06
To: Tessa Cunliffe <tess@sonnyonline.com>
Subject: Re: Plans for Septemlber 21st Presentations
/_mLE7•7iir-M
On Thu, Apr 11, 2024 at 8:14 AM Tessa Cunliffe <tess sonnyonline.com> wrote:
Thanks for checking in Carole! I know Sonny has had multiple discussions with his foundry but was waiting
for clarity on certain things before getting back to you. He has another call with them lined up for
tomorrow morning. We'll be sure to provide feedback on the boards queries tomorrow so that you have
information to feedback to everyone in next week's meeting.
Will be in touch again tomorrow!
Thanks,
Tess